You can do this with the Pointer tool by holding down the Alt and Control keys while dragging. Depending on where you drag the line, the curve will be either 'smile' shapes or 'S' shaped. In this mode, dragging a line will result in a curve. MOVING DATA WITH THE AUTOMATION TOOL IN CURVE MODE.To move a selection of nodes either horizontally (in other words forwards or backwards in time) or vertically (in other words incrementing or decrementing the data values), click-hold and drag a line or node. Just click and drag single nodes to move them, and the same goes for single automation lines. Non-contiguous selections can be made by holding down the Shift key and dragging over each area. Selecting all the nodes within a given region is as simple as clicking on the region itself. SELECTING DATA WITH THE AUTOMATION TOOL IN SELECT MODE.You can select the mode from the pull-down menu below the Arrange window's Toolbox. The Automation tool can operate in two different modes: Curve or Select. Double-clicking a node while holding down Alt selects all automation on a track. If you'd like to select all automation from the nearest node to the Song's end, hold down the Alt key and click on the node. You can then move the whole selection by dragging the lines or the nodes within the selection. You must do this within the boundary of a region, otherwise you'll select the region itself. To select a group of nodes, hold down the Shift key and drag around them. Select a line by clicking and holding on the line. To select a node, click and hold on it - a little info window will appear giving you details about the node. To create two nodes around a part of a region, hold down the Shift and Alt keys while dragging over the area. However, beware that there is a bug with this in Logic v7.1, whereby if you try to create a four-node cluster like this, only three nodes are actually inserted - so you'll have to click on the automation curve to the right of the nodes and create another. To create four nodes around a part of a region, hold down the Shift, Control, and Alt keys and drag over the area around which you wish to create nodes. You can add a new node by a short click anywhere on the track, or add a new node on an existing line with a short click on the automation line. You need to use the Pointer tool unless stated otherwise to perform these operations. The way nodes and lines are created and edited in Logic is affected by the modifier keys. Another thing to mention is that the new track-based automation isn't restricted to Hyper Draw's eight-bit MIDI data resolution it's internal to the program and allows for high-resolution fades. If you want, you can even have automation data even where there are no regions at all. Logic now keeps its automation data independent from its regions, though it can still be copied with regions if need be. In older versions, automation was only available as Hyper Draw information on individual regions, so if you moved or deleted these regions you lost your automation data. Logic uses a track-based automation system. I then fine-tune this automation again with the mouse. What I generally do is use the mouse technique to get rid of extraneous noises, especially in a vocal track, and fader automation for more general automation and virtual instruments. In practice, it's probably best to use a mix of these techniques. One is to record the movement of on-screen or hardware controller knobs and faders, the other is to write automation data directly with the mouse. There are two ways to write automation data in Logic. The purpose of this article is to bring you practical tips and advice which I've gleaned from my mixing sessions to help you make the best use of Logic 's automation. It's been a roller-coaster ride, with some laughs and some tears, some annoyances and some surprises. For this album, everything is being done in the box - including bringing in a couple of external synthesizers via my MOTU 896 Firewire interface. (Thank you, plug-in delay compensation!) In the past I've either mixed totally within Pro Tools or used a combination of Logic 's automation and an external mixing board and effects. I'm currently mixing an album completely in Logic for the first time. However its implementation is often obtuse and complex, with many features poorly documented or, in some cases, not documented at all! Logic, as you would expect, has a powerful and comprehensive automation system. As a song plays, you can automatically adjust volume, pan, sends, mutes, and nearly all the controls of your plug-in effects and virtual instruments. One of the most powerful features of a modern Digital Audio Workstation (DAW) is the ability to automate almost every parameter. Comprehensive automation is one of Logic 's most powerful facets, allowing micro-management of all the settings in your mix.
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